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Or, as it should be called: "Look Ma I'm in a European Movie!", The American is an odd creation in that it feels like a French or German thriller produced by Steven Soderbergh with Clooney in the middle of it all. Which is not to say it has no value: it's actually surprisingly tense and gripping even if not much at all actually happens.

Clooney once again gives a fair but hardly earth-shattering dramatic performance and makes me wish, once again, that I was watching him in another gloriously wacky Coen Brothers movie. That said, he does well here and clearly enjoys the quirks of being in a European movie (Violante Placido is pretty much naked the entire time).

Story-wise: he makes a weapon for some ominous hit-woman, falls in love with a prostitute, speaks to a priest for some reason...and a whole bunch of inevitable yet perplexing stuff happens right at the end. The American won't change your life but occasionally it does surprise you with a neat little touch here and there or a genuinely good scene like the opening sequence which is pretty masterfully handled.

Overall, a pretty good little film but it unfortunately leaves you wanting more. 

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